Lear is a brutal and vain King, whose vanity and refusal to see the true nature of the people surrounding him leads to his downfall and exile into the wilderness. Only after losing everything does the King realise the truth. Though his revelation comes too late. Lear looks at aspects of sanity, homelessness, and family politics, and is as powerful and relevant now as it ever was.

Mise-en-scene: Steen
Music: Sam Ferrier (he/him)
Movement: Flower Curran (she/her) & Billee Paige Harris (they/them)
Intimacy Coordinator: Billee Paige Harris (they/them)
Stage Manager: Abraham Mahamid (he/him)
Lighting Design: Zachary Hanlon (they/them)
Sound Design: Thomas Gray (he/him) & Ben Spencer (he/him)
Operator: Rhys Ferrier (he/him)
Publicity: Nick Kilpatrick (they/them)

King Lear - Lajos Hamers (he/they)
Goneril - Alexander Afflick (she/her)
Duke of Albany - Richard Bromwich (he/him)
Regan - Gillian Meers (she/her)
Duke of Cornwall - Andrew Gobran (he/him)
Cordelia - Katie Rose Allen (she/her)
Fool - Tim Baker (he/him)
Earl of Kent - Luke Berman (he/him)
Oswald - Yianni Vorrias (he/him)
Gloucester - Cathy Bates (she/they)
Edgar - Thomas Roberts (he/him)
Edmund - Thomas Petersen (he/him)
Curran / Bedlam - Ben Rayner (he/him)
King of France / Bedlam - Jayden Brett (he/him)
Duke of Burgundy / Bedlam - Brett Osseweyer (he/him)
Bedlams - Ella Brady (she/her), Maddi Ferrier (they/them), Frankie Lucke, Taleigha Redfern, Byron Schipp (he/him) & August Turnbull